Department of English

Welcome to The Department of English at BATNA University

April 2019


Calendar Calendar

A Guide For Creative Thinking

Thu Sep 17, 2009 3:12 am by BHSoft

A Guide For Creative Thinking by Brian Tracy
Einstein once said, “Every child is born a genius.” But the reason why most people do not function at genius levels is because they are not aware of how creative and smart they really are.I call it the “Schwarzenegger effect.” No one would look at a person such as Arnold Schwarzenegger and think how lucky he is to have been born with such …

Africain Literature

Wed Mar 04, 2009 8:15 pm by Lily

Things Fall Apart is a 1959 English-language novel by Nigerian author Chinua Achebe. It is a staple book in schools throughout Africa and widely read and studied in English-speaking countries around the world. It is seen as the archetypal modern African novel in English, and one of the first African novels written in English to receive global critical acclaim. The title of the novel comes from [url=]

Algeria's Newspapers ...

Wed Mar 04, 2009 1:11 pm by Lily

study study study study


Algerian Vote

Thu Apr 09, 2009 12:39 pm by Lily

Algerians are voting in a presidential election which opposition groups have described as a charade.

Phonetics:Intonation _45646939_007133175-1

American English

Fri Mar 13, 2009 4:00 pm by Maria

Going to is pronounced GONNA when it is used to show the future. But it is never reduced when it means going from one place to another.

We're going to grab a bite to eat. = We're gonna grab a bite to eat.
I'm going to the office tonight. = I'm going to the office tonight.

2. Want to and want a are both pronounced WANNA and wants to is pronounced WANSTA. Do you want to can also be reduced …

American Slangs

Sat Mar 21, 2009 8:54 pm by Maria

airhead: stupid person.
"Believe it or not, Dave can sometimes act like an airhead!"

amigo: friend (from Spanish).
"I met many amigos at Dave's ESL Cafe."

ammunition: toilet paper.
"Help! We're completely out of ammunition!"

antifreeze: alcohol.
"I'm going to need a lot of antifreeze tonight!"

armpit: dirty, unappealing place.

An Introduction to the British Civilization

Wed Nov 18, 2009 10:54 am by Maria

University of Batna First Year
English Department G: 6-7-8-9
General Culture

[center]An Introduction to the British Civilization

*The United Kingdom :

Full Name : The UK's full and official name is the "United Kingdom of Great Britain and Northern Ireland".

Location: The United Kingdom (UK) of Great Britain and Northern Ireland is a country …

Announcements and News

Thu Mar 05, 2009 2:55 am by Lily

Phonetics:Intonation QuizPromo-12
"Dear students , we would like to inform you that , from now on , your marks can be consulted through your Website ...Let's surf ! bounce bounce Wink

Applying for Research Study in the Department of English

Sun Apr 12, 2009 11:32 pm by Lily

Applying for Research Study in the Department of English

The process of applying for a research studentship begins with the identification of a potential supervisor. If you already know a staffmember who is willing to work with you to develop a research proposal,please start by contacting them. If you do not have a supervisor inmind already, …



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    Phonetics:Intonation Empty Phonetics:Intonation

    Post by Lily on Sun Dec 05, 2010 2:03 am

    Intonation is crucial for communication. It's also a largely unconscious mechanism, and as such, a complex aspect of pronunciation. It's no surprise that many teachers don't feel confident about tackling it in the classroom. When teaching grammar or lexis, we find ways of making the language accessible to our learners. How then to do this with intonation?

    What is intonation?

    Why teach intonation?

    Can I improve my own awareness of intonation?

    • How I help my students:

      • Awareness-raising

      • Intonation and grammar

      • Intonation and attitudes

      • Intonation and discourse
      • Conclusion

    What is intonation?
    Intonation is about how we say things, rather than what we say. Without intonation, it's impossible to understand the expressions and thoughts that go with words.
    Listen to somebody speaking without paying attention to the words: the 'melody' you hear is the intonation. It has the following features:

    • It's divided into phrases, also known as 'tone-units'.

    • The pitch moves up and down, within a 'pitch range'. Everybody has their own pitch range. Languages, too, differ in pitch range. English has particularly wide pitch range.

    • In each tone unit, the pitch movement (a rise or fall in tone, or a combination of the two) takes place on the most important syllable known as the 'tonic-syllable'. The tonic-syllable is usually a high-content word, near the end of the unit.

    • These patterns of pitch variation are essential to a phrase's meaning. Changing the intonation can completely change the meaning.

    • Example:
    Say: 'It's raining'.
    Now say it again using the same words, but giving it different meaning. You could say it to mean 'What a surprise!', or 'How annoying!',or 'That's great!'. There are many possibilities.
    Why teach intonation?
    Intonation exists in every language, so the concept we're introducing isn't new. However, learners are often so busy finding their words that intonation suffers. Yet intonation can be as important as word choice - we don't always realise how much difference intonation makes:

    • Awareness of intonation aids communication.

    • Incorrect intonation can result in misunderstandings, speakers losing interest or even taking offence!

    Though it's unlikely our learners will need native-speaker-level pronunciation, what they do need is greater awareness of intonation to facilitate their speaking and listening
    Can I improve my own awareness of intonation?

    It's difficult to hear our own intonation. Choose somebody to listen to closely: as you listen, visualise the melody in your head, 'seeing' how it's divided into tone-units. Next time you do a class speaking activity, focus on your students' intonation. Are there students whose language is 'correct', but something doesn't sound right? Do they come across as boring or insincere? It may well be their pitch range isn't varied enough.
    How I help my students

    Some techniques I find useful for raising learners' awareness of intonation:

    • Provide learners with models - don't be afraid to exaggerate your intonation.

    • Let students compare two examples of the same phrase, eg: varied/flat intonation, English / L1.

    • Ask students to have a 2-minute conversation in pairs as 'robots' (elicit the word using a picture if necessary), i.e. with no intonation. When they then go back to speaking 'normally', point out that the difference is made by intonation - this is what gives movement to our voices.

    • Get students to imitate my intonation, but without words, just humming.

    Intonation doesn't exist in isolation. So it makes sense to approach it together with other factors.
    Intonation and grammar

    Where patterns associating intonation and grammar are predictable, I highlight these to my students. I see these as starting-points, rather than rules.
    Some examples are:

    • Wh-word questions: falling intonation

    • Yes/No questions: rising

    • Statements: falling

    • Question-Tags: 'chat' - falling; 'check' - rising

    • Lists: rising, rising, rising, falling

    When practising these constructions, I include activities focusing specifically on intonation.For example, Question-Tags: Students in groups are assigned jobs to mime to each other. Students make notes about what they think each person's job is. They then have to check they've understood the jobs: Students use rising/falling intonation question-tags depending how sure they are: 'You're a pilot, aren't you?'. At the end, students confirm their jobs.
    Intonation and attitude
    It's important that students are aware of the strong link between intonation and attitude, even if it's difficult to provide rules here.

    • The first thing is for learners to recognise the effect of intonation changes. I say the word 'bananas' - firstly with an 'interested' intonation (varied tone); then 'uninterested' (flat). Students identify the two and describe the difference. We then brainstorm attitudes, such as 'enthusiastic', 'bored', 'surprised', 'relieved'. I say 'bananas' for these. Students then do the same in pairs, guessing each other's attitude.

    • This can be developed by asking students to 'greet' everybody with a particular attitude. At the end, the class identify each person's attitude. For younger learners, I use 'Mr Men' characters (Miss Happy, Mr Grumpy, Miss Frightened, etc.) Each student is allocated a character and, as above, they greet the class with that character's voice.
    Intonation and discourse
    Learners' also need awareness of intonation in longer stretches of language. Here, we can give our learners clearer guidelines: 'new' information = fall tone; 'shared' knowledge = 'fall-rise'.
    A simple shopping dialogue demonstrates this:
    SK: Can I help you
    C: I'd like a chocolate (fall) ice-cream.
    SK: One chocolate (fall-rise) ice-cream. Anything else?
    C: One strawberry (fall) ice-creamSK: One chocolate (fall), one strawberry (fall). Anything else?
    C: Yes. One chocolate (fall), one strawberry (fall), and one vanilla (fall-rise).
    Higher level students can identify the 'new' / 'shared' information, and then practise reading accordingly.
    With lower level students, we memorise the dialogue together. Although I don't refer to intonation directly, I use my hands to indicate it (fall = hand pointing down; fall-rise = down then up). Students then prepare their own dialogues. I've found my learners pick up these patterns very quickly

    When working on intonation in the classroom I:

    • Remember that intonation is relevant to any speaking activity, and makes interesting remedial/revision work.

    • Remember that students don't always have to 'know' we're focusing on intonation: every time I drill phrases they're hearing intonation models.

    • Provide realistic and clear contexts.

    • Avoid going into theory.

    • Help students find patterns / rules-of-thumb, wherever possible.

    • Use a consistent system for marking intonation on the board for example: arrow for tone; tonic-syllable in CAPITALS; double lines ( // ) for tone-unit boundaries.

    • Keep it positive and don't expect perfection. The last thing I'd want is to make my students so anxious about their intonation that they stop speaking!

    No one can go back and change a bad beginning, but anyone can start now and create a successful ending.

      Current date/time is Tue Apr 23, 2019 3:56 am